Pondering your
legacy is usually only for those too far up themselves to realise they are
unlikely ever to have one anyway. As for getting into a sweat about someone
else’s, the only saving grace against accusations of having already disappeared
past the point of no-return is at least it isn’t a first-person lather. But
even allowing for all that, and wholly irrational as it might be, here’s hoping
Roger Federer’s declaration after his Wimbledon
second-round defeat that he intends to play for years to come doesn’t occur
As one of
millions around the globe who for the last decade has thrilled to the great
man’s virtuosity, that sounds a bit like arguing McCartney should have hung up
the guitar after Abbey Road,
or that Hemingway should have hung everything up after the war. We’d have
missed out on some great stuff. But that doesn’t disguise how it’s still
strictly down-slope stuff. And there doesn’t seem any doubt now that Federer is
on a remorseless slide from the Alpine peaks that have made him a benchmark
figure in the history of sport.
Fearing for the
impact on Federer’s sporting legacy should he continue to incrementally slip
towards also-ran status is a luxury that bears no relation to the individual’s
need to get up in the morning with a purpose beyond the preservation of a
fortune that makes ever working for a living again irrelevant.
There is also
the not-insignificant factor that the Swiss kinda likes playing tennis. And
there’s always statistical proof already in the book of an incomparably
successful Grand Slam career, the true barometer of tennis greatness.
Style and substance
But even after winning . 17 Grand Slam titles don’t quite cover up what Federer has come to represent to sport in general and tennis in particular. In the sphere of sporting competition, no one has ever better amalgamated the principles of style and substance. With Federer, they really are two sides of the same coin. And the effect has been intoxicating.
Style and substance
But even after winning . 17 Grand Slam titles don’t quite cover up what Federer has come to represent to sport in general and tennis in particular. In the sphere of sporting competition, no one has ever better amalgamated the principles of style and substance. With Federer, they really are two sides of the same coin. And the effect has been intoxicating.
Debating about whether or not he’s the best ever to
walk on court is futile since such things are immune to definitiveness anyway;
and it’s doubly hard to argue in the face of head-to-head evidence that Rafa
Nadal holds an undeniable edge over his great rival. But great a player as he
is, the Spaniard holds no claims to any kind of aestheticism on court,
embodying instead a bludgeoning, near-manic desire to win. It’s mesmerising in
its own way, but no one is ever going to mistake it for beauty.
There have been
times though in the past decade when Federer has effortlessly criss-crossed the
bridge between performing and performance, all the while blending an
incomparable array of natural gifts into a ruthlessly focused desire to win. If
the substance is a pre-
requisite, the style has been a glorious bonus that only those chronically short of imagination can fail to warm to.
requisite, the style has been a glorious bonus that only those chronically short of imagination can fail to warm to.
Source:Other Sports
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